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| 1 | HOUSE RESOLUTION
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| 2 | WHEREAS, The members of the Illinois House of | ||||||
| 3 | Representatives were saddened to learn of the death of Etta | ||||||
| 4 | Moten Barnett of Chicago on January 2, 2004; and
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| 5 | WHEREAS, Ms. Barnett was a trailblazing singer and actress | ||||||
| 6 | who conquered Hollywood and Broadway before becoming a graceful | ||||||
| 7 | leader in Chicago's African-American community for decades; | ||||||
| 8 | and
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| 9 | WHEREAS, She was born November 5, 1901, in Weimer, Texas, | ||||||
| 10 | she was the only child of the Rev. Freeman F. Moten and Ida Mae | ||||||
| 11 | Norman, both college graduates; she was 5 when, while singing | ||||||
| 12 | with a cousin, she realized she had a beautiful voice; her | ||||||
| 13 | mother decorated a pink-and-white box for her to stand on, and | ||||||
| 14 | she joined the church choir; and | ||||||
| 15 | WHEREAS, The daughter of a Methodist minister in Texas, she | ||||||
| 16 | had plans for college that were derailed when she married one | ||||||
| 17 | of her high school teachers; when the marriage fell apart, her | ||||||
| 18 | parent's took care of her three young daughters so she could | ||||||
| 19 | attend the University of Kansas; after graduating at age 30 | ||||||
| 20 | with a degree in voice and drama, she moved to New York City, | ||||||
| 21 | where she landed a spot singing with the Eva Jessye Choir; and
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| 22 | WHEREAS, In 1934, she married Claude Barnett, head of the | ||||||
| 23 | Associated Negro Press; he preceded her in death in 1967; and | ||||||
| 24 | WHEREAS, Ms. Barnett rose to prominence in the 1930s with | ||||||
| 25 | the film "Gold Diggers of 1933" in which Ms. Barnett sang the | ||||||
| 26 | Depression-era tune "My Forgotten Man"; she later sang the song | ||||||
| 27 | for President Franklin D. Roosevelt, making her the first | ||||||
| 28 | African-American artist to perform at the White House; and | ||||||
| 29 | WHEREAS, Although her role in "Gold Diggers of 1933" as a | ||||||
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| 1 | widowed housewife was ordinary on its face, it was | ||||||
| 2 | extraordinary at the time because black actors had been | ||||||
| 3 | relegated to roles as domestic servants; and
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| 4 | WHEREAS, She was hailed by the press as "The New Negro | ||||||
| 5 | Woman"; theaters in black communities gave her top billing on | ||||||
| 6 | marquees, even though her name didn't even appear in the | ||||||
| 7 | movie's credits; and
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| 8 | WHEREAS, She went on to star on Broadway, travel the world, | ||||||
| 9 | and play key roles in civic groups; and
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| 10 | WHEREAS, The first film where her name appeared in the | ||||||
| 11 | credits was 1933's "Flying Down to Rio," which also marked the | ||||||
| 12 | first pairing of Fred Astaire and Ginger Rogers on the silver | ||||||
| 13 | screen; she played a Brazilian entertainer and sang "The | ||||||
| 14 | Carioca," which received an Oscar nomination for best song; and
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| 15 | WHEREAS, The role that made Ms. Barnett a bona fide star, | ||||||
| 16 | however, didn't come until 1942, when she played "Bess" in the | ||||||
| 17 | Broadway revival of George Gershwin's "Porgy and Bess"; it was | ||||||
| 18 | a role Mr. Gershwin had long envisioned for Ms. Barnett, though | ||||||
| 19 | it didn't fit her she was a contralto, Bess a soprano; but she | ||||||
| 20 | trained her voice for the role and played the part for a | ||||||
| 21 | multiyear run; the change to the higher range took its toll, | ||||||
| 22 | though, and her voice was never the same; and
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| 23 | WHEREAS, Her stature as a civic leader rose after she | ||||||
| 24 | retired; she held prominent roles with groups including the | ||||||
| 25 | National Council of Negro Women, the Chicago Lyric Opera, the | ||||||
| 26 | Field Museum, and the DuSable Museum; and
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| 27 | WHEREAS, The passing of Etta Moten Barnett will be deeply | ||||||
| 28 | felt by many, especially her daughter, Sue Ish; her five | ||||||
| 29 | grandchildren; and her three great-granchildren; therefore, be | ||||||
| 30 | it
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| 1 | RESOLVED, BY THE HOUSE OF REPRESENTATIVES OF THE | ||||||
| 2 | NINETY-THIRD GENERAL ASSEMBLY OF THE STATE OF ILLINOIS, that we | ||||||
| 3 | mourn the death of Etta Moten Barnett along with all who knew | ||||||
| 4 | and loved her and extend our sincere condolences to her family | ||||||
| 5 | and friends; and be it further
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| 6 | RESOLVED, That a suitable copy of this resolution be | ||||||
| 7 | presented to the family of Etta Moten Barnett as an expression | ||||||
| 8 | of our deepest sympathy.
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