|
|
|||||||
| |||||||
| |||||||
| 1 | HOUSE RESOLUTION
| ||||||
| 2 | WHEREAS, America's music commands boundless artistic | ||||||
| 3 | reflections of this country's past and future legacies; and
| ||||||
| 4 | WHEREAS, America's music transcends culture, gender, race, | ||||||
| 5 | class, and creed, and thrives freely as it is continually | ||||||
| 6 | reinvented, rearranged, transformed, and infused by a universe | ||||||
| 7 | of memories and imaginations; it draws on the personal | ||||||
| 8 | experiences of men and women and aspires to approximate the | ||||||
| 9 | complexities of humanity in all degrees of inelegance and | ||||||
| 10 | beauty; and
| ||||||
| 11 | WHEREAS, America's music expresses our country's vital | ||||||
| 12 | cultural and social identities and empowers us to assert and | ||||||
| 13 | preserve our past for the future; it transforms our wondrous | ||||||
| 14 | and harsh experiences into potent messages that freely declare | ||||||
| 15 | democratic choice and freedom of expression; it inspires social | ||||||
| 16 | justice, enlivens collective action, and reflects our nation's | ||||||
| 17 | dynamic social movements; and
| ||||||
| 18 | WHEREAS, John Philip Sousa's music embodies the unflagging | ||||||
| 19 | spirit of this nation; his music, a product of a renaissance in | ||||||
| 20 | American art and technology, affirmed our parents' contagious | ||||||
| 21 | patriotism and profound love of country even as they witnessed | ||||||
| 22 | the brutalities of a nation at war; his music was a fanfare | ||||||
| 23 | about and for all men and women of these United States; his | ||||||
| 24 | rousing melodies celebrated the best and worst of our diverse | ||||||
| 25 | cultures and emerging histories; Sousa's music, both now and | ||||||
| 26 | then, entertained and telegraphed our nation's indomitable | ||||||
| 27 | sense of spirit to the world; and
| ||||||
| 28 | WHEREAS, John Philip Sousa performed over 275 concerts in | ||||||
| 29 | this great State; his band spread the wealth of his music and a | ||||||
| 30 | nation's spirit from the humble banks of Illinois' Wabash to | ||||||
| 31 | its mighty Mississippi, and from Chicago's Great Lake to the | ||||||
| |||||||
| |||||||
| 1 | Ohio's "La Belle Riviere"; his profound devotion to America | ||||||
| 2 | moved him in May of 1917, at the age of 62, to enlist in the | ||||||
| 3 | United States Navy and serve as the coordinator of the music | ||||||
| 4 | program at Chicago's Great Lakes Naval Training Center; as one | ||||||
| 5 | of Illinois' most celebrated residents, Sousa championed music | ||||||
| 6 | education throughout the State as well as the nation; and | ||||||
| 7 | WHEREAS, John Philip Sousa and his band served as the model | ||||||
| 8 | for the University of Illinois' innovative band program; the | ||||||
| 9 | university's vital band program eventually established the | ||||||
| 10 | standard for all college and university bands throughout the | ||||||
| 11 | United States; Sousa was named "Honorary Conductor" of the | ||||||
| 12 | University's Concert Band on March 20, 1930, and upon his death | ||||||
| 13 | in 1932, he bequeathed to the University his band's entire | ||||||
| 14 | performance library; he believed his music and legacy could be | ||||||
| 15 | preserved only through active performance by a band and its | ||||||
| 16 | director as capable as his own ensemble; and | ||||||
| 17 | WHEREAS, Today the State of Illinois and the University of | ||||||
| 18 | Illinois at Urbana-Champaign are home to the single greatest | ||||||
| 19 | collection of original music compositions and arrangements by | ||||||
| 20 | John Philip Sousa; the university is also the residence of one | ||||||
| 21 | of this country's most recognized university bands and music | ||||||
| 22 | programs and the largest public university library in the | ||||||
| 23 | world; therefore, be it
| ||||||
| 24 | RESOLVED, BY THE HOUSE OF REPRESENTATIVES OF THE | ||||||
| 25 | NINETY-THIRD GENERAL ASSEMBLY OF THE STATE OF ILLINOIS, that we | ||||||
| 26 | declare the month of November American Music Month to celebrate | ||||||
| 27 | both John Philip Sousa's birth on November 6, 1854, and his | ||||||
| 28 | monumental contributions to America's and the State of | ||||||
| 29 | Illinois' music heritage; and be it further
| ||||||
| 30 | RESOLVED, That all forms of America's music will be | ||||||
| 31 | honored, celebrated, and preserved for future generations as | ||||||
| 32 | expressions of the democratic freedoms that John Philip Sousa | ||||||
| |||||||
| |||||||
| 1 | so eloquently embodied through his music, and his music remains | ||||||
| 2 | a hallmark of this nation's indomitable spirit; and be it | ||||||
| 3 | further | ||||||
| 4 | RESOLVED, That a suitable copy of this resolution be | ||||||
| 5 | presented to the Sousa Archives and Center for American Music | ||||||
| 6 | at the University of Illinois at Urbana-Champaign as a memento | ||||||
| 7 | of the celebration of this month.
| ||||||