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1 | AN ACT concerning civil law. | |||||||||||||||||||
2 | Be it enacted by the People of the State of Illinois, | |||||||||||||||||||
3 | represented in the General Assembly: | |||||||||||||||||||
4 | Section 1. Short title. This Act may be cited as the No | |||||||||||||||||||
5 | Artificial Intelligence Fake Replicas And Unauthorized | |||||||||||||||||||
6 | Duplications Act. This Act may be referred to as the No AI | |||||||||||||||||||
7 | FRAUD Act. | |||||||||||||||||||
8 | Section 2. Findings. The General Assembly finds that | |||||||||||||||||||
9 | recent advancements in artificial intelligence (AI) technology | |||||||||||||||||||
10 | and the development of deepfake software have adversely | |||||||||||||||||||
11 | affected individuals' ability to protect their voice and | |||||||||||||||||||
12 | likeness from misappropriation, including: | |||||||||||||||||||
13 | (1) On or around April 4, 2023, AI technology was used | |||||||||||||||||||
14 | to create the song titled "Heart on My Sleeve," emulating | |||||||||||||||||||
15 | the voices of recording artists Drake and The Weeknd. It | |||||||||||||||||||
16 | reportedly received more than 11 million views. | |||||||||||||||||||
17 | (2) On or around October 1, 2023, AI technology was | |||||||||||||||||||
18 | used to create a false endorsement featuring Tom Hanks' | |||||||||||||||||||
19 | face in an advertisement for a dental plan. | |||||||||||||||||||
20 | (3) From October 16 to 20, 2023, AI technology was | |||||||||||||||||||
21 | used to create false, nonconsensual intimate images of | |||||||||||||||||||
22 | high school girls in Westfield, New Jersey. | |||||||||||||||||||
23 | (4) In fall 2023, AI technology was used to create the |
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1 | song titled "Demo #5: nostalgia," manipulating the voices | ||||||
2 | of Justin Bieber, Daddy Yankee, and Bad Bunny. It | ||||||
3 | reportedly received 22 million views on Tik Tok and 1.2 | ||||||
4 | million views on YouTube. | ||||||
5 | (5) A Department of Homeland Security report titled | ||||||
6 | the "Increasing Threat of Deepfake Identities" states that | ||||||
7 | as of October 2020, researchers had reported more than | ||||||
8 | 100,000 computer-generated fake nude images of women | ||||||
9 | created without their consent or knowledge. | ||||||
10 | (6) According to Pew Research Center, approximately | ||||||
11 | 63% of American say made-up or altered videos create | ||||||
12 | confusion about the basic facts of current issues. | ||||||
13 | Section 3. Likeness and voice rights. | ||||||
14 | (a) Definitions. In this Act: | ||||||
15 | (1) "Individual" means a human being, living or dead. | ||||||
16 | (2) "Digital depiction" means a replica, imitation, or | ||||||
17 | approximation of the likeness of an individual that is | ||||||
18 | created or altered in whole or in part using digital | ||||||
19 | technology. | ||||||
20 | (3) "Personalized cloning service" means an algorithm, | ||||||
21 | software, tool, or other technology, service, or device | ||||||
22 | the primary purpose or function of which is to produce one | ||||||
23 | or more digital voice replicas or digital depictions of | ||||||
24 | particular, identified individuals. | ||||||
25 | (4) "Digital voice replica" means an audio rendering |
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1 | that is created or altered in whole or in part using | ||||||
2 | digital technology and is fixed in a sound recording or | ||||||
3 | audiovisual work which includes replications, imitations, | ||||||
4 | or approximations of an individual that the individual did | ||||||
5 | not actually perform. | ||||||
6 | (5) "Voice" means sounds in any medium containing the | ||||||
7 | actual voice or a simulation of the voice of an | ||||||
8 | individual, whether recorded or generated by computer, | ||||||
9 | artificial intelligence, algorithm, or other digital | ||||||
10 | technology, service, or device, to the extent that the | ||||||
11 | individual depicted or simulated is readily identifiable | ||||||
12 | from the sound of the voice or simulation of the voice, or | ||||||
13 | from other information displayed in connection therewith. | ||||||
14 | (6) "Likeness" means the actual or simulated image or | ||||||
15 | likeness of an individual, regardless of the means of | ||||||
16 | creation, that is readily identifiable as the individual | ||||||
17 | by virtue of the individual's face, likeness, or other | ||||||
18 | distinguishing characteristic, or from other information | ||||||
19 | displayed in connection with the likeness. | ||||||
20 | (7) "Digital technology" means a technology or device | ||||||
21 | now known or hereafter created such as computer software, | ||||||
22 | artificial intelligence, machine learning, quantum | ||||||
23 | computing, or other similar technologies or devices. | ||||||
24 | (b) Property right in likeness and voice. | ||||||
25 | (1) In general. Every individual has a property right | ||||||
26 | in the individual's own likeness and voice. |
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1 | (2) Extent. The rights provided for in paragraph (1) | ||||||
2 | constitute intellectual property rights and are freely | ||||||
3 | transferable and descendible, in whole or in part, and do | ||||||
4 | not expire upon the death of the individual, whether or | ||||||
5 | not such rights were commercially exploited by the | ||||||
6 | individual during the individual's lifetime. | ||||||
7 | (3) Transferability. The rights provided for in | ||||||
8 | paragraph (1) shall be exclusive to the individual, | ||||||
9 | subject to the transfer of such rights as provided in | ||||||
10 | paragraph (2), during such individual's lifetime and to | ||||||
11 | the executors, heirs, transferees, or devisees for a | ||||||
12 | period of ten years after the death of the individual, and | ||||||
13 | shall be terminated by: | ||||||
14 | (A) proof of the non-use of the likeness or voice | ||||||
15 | of any individual for commercial purposes by an | ||||||
16 | executor, transferee, heir, or devisee to such use for | ||||||
17 | a period of two years subsequent to the initial | ||||||
18 | ten-year period following the individual's death; or | ||||||
19 | (B) the death of all executors, transferees, | ||||||
20 | heirs, or devisees. | ||||||
21 | (4) Validity of use. An agreement authorizing the use | ||||||
22 | of a digital depiction or digital voice replica for a new | ||||||
23 | performance of the individual in an advertisement or | ||||||
24 | expressive work shall be valid only if: | ||||||
25 | (A) the applicable individual was: | ||||||
26 | (i) represented by counsel in the transaction and |
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1 | the agreement was in writing; and | ||||||
2 | (ii) 18 years of age or older at the time of entry | ||||||
3 | into the agreement, or, if under 18 years of age at | ||||||
4 | that time, the agreement is approved by a court in | ||||||
5 | accordance with applicable State law; or | ||||||
6 | (B) the terms of the agreement are governed by a | ||||||
7 | collective bargaining agreement. | ||||||
8 | (c) Unauthorized simulation of voice or likeness. | ||||||
9 | (1) In general. Any person or entity who, in a manner | ||||||
10 | affecting interstate or foreign commerce (or using any | ||||||
11 | means or facility of interstate or foreign commerce), and | ||||||
12 | without consent of the individual holding the voice or | ||||||
13 | likeness rights affected thereby: | ||||||
14 | (A) distributes, transmits, or otherwise makes | ||||||
15 | available to the public a personalized cloning | ||||||
16 | service; | ||||||
17 | (B) publishes, performs, distributes, transmits, | ||||||
18 | or otherwise makes available to the public a digital | ||||||
19 | voice replica or digital depiction with knowledge that | ||||||
20 | the digital voice replica or digital depiction was not | ||||||
21 | authorized by the individual holding the voice or | ||||||
22 | likeness rights affected thereby; or | ||||||
23 | (C) materially contributes to, directs, or | ||||||
24 | otherwise facilitates any of the conduct proscribed in | ||||||
25 | subparagraph (A) or (B) with knowledge that the | ||||||
26 | individual holding the affected voice or likeness |
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1 | rights has not consented to the conduct, | ||||||
2 | shall be liable for damages as set forth in paragraph (2). | ||||||
3 | (2) Remedies. In any action brought under this | ||||||
4 | Section, the following shall apply: | ||||||
5 | (A) The person or entity who violated the Section | ||||||
6 | shall be liable to the injured party or parties in an | ||||||
7 | amount equal to the greater of: | ||||||
8 | (i) in the case of an unauthorized | ||||||
9 | distribution, transmission, or other making | ||||||
10 | available of a personalized cloning service, | ||||||
11 | $50,000 per violation or the actual damages | ||||||
12 | suffered by the injured party or parties as a | ||||||
13 | result of the unauthorized use, plus any profits | ||||||
14 | from the unauthorized use that are attributable to | ||||||
15 | such use and are not taken into account in | ||||||
16 | computing the actual damages; and | ||||||
17 | (ii) in the case of an unauthorized | ||||||
18 | publication, performance, distribution, | ||||||
19 | transmission, or other making available of a | ||||||
20 | digital voice replica or digital depiction, $5,000 | ||||||
21 | per violation or the actual damages suffered by | ||||||
22 | the injured party or parties as a result of the | ||||||
23 | unauthorized use, plus any profits from the | ||||||
24 | unauthorized use that are attributable to such use | ||||||
25 | and are not taken into account in computing the | ||||||
26 | actual damages. |
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1 | (B) In establishing profits under this | ||||||
2 | subdivision, the injured party or parties shall be | ||||||
3 | required only to present proof of the gross revenue | ||||||
4 | attributable to the unauthorized use, and the person | ||||||
5 | or entity who violated this Section shall be required | ||||||
6 | to prove his or her expenses deductible therefrom. | ||||||
7 | (C) Punitive damages and reasonable attorney's | ||||||
8 | fees may also be awarded to the injured party or | ||||||
9 | parties. | ||||||
10 | (D) It shall not be a defense to an allegation of a | ||||||
11 | violation of paragraph (1) that the unauthorized user | ||||||
12 | displayed or otherwise communicated to the public a | ||||||
13 | disclaimer stating that the digital depiction, digital | ||||||
14 | voice replica, or personalized cloning service was | ||||||
15 | unauthorized or that the individual rights owner did | ||||||
16 | not participate in the creation, development, | ||||||
17 | distribution, or dissemination of the unauthorized | ||||||
18 | digital depiction, digital voice replica, or | ||||||
19 | personalized cloning service. | ||||||
20 | (E) An action to enforce this Section may be | ||||||
21 | brought by: | ||||||
22 | (i) the individual whose voice or likeness is | ||||||
23 | at issue; | ||||||
24 | (ii) any other person or entity to which the | ||||||
25 | individual has assigned or exclusively licensed | ||||||
26 | the individual's voice or likeness rights; or |
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1 | (iii) in the case of an individual who | ||||||
2 | performs music as a profession, and has not | ||||||
3 | authorized the use at issue, by any person or | ||||||
4 | entity that has entered into a contract for the | ||||||
5 | individual's exclusive personal services as a | ||||||
6 | recording artist or an exclusive license to | ||||||
7 | distribute sound recordings that capture the | ||||||
8 | individual's audio performances. | ||||||
9 | (d) First Amendment defense. First Amendment | ||||||
10 | protections shall constitute a defense to an alleged | ||||||
11 | violation of subsection (c). In evaluating any such | ||||||
12 | defense, the public interest in access to the use shall be | ||||||
13 | balanced against the intellectual property interest in the | ||||||
14 | voice or likeness. Factors to be considered may include | ||||||
15 | whether: | ||||||
16 | (1) the use is commercial; | ||||||
17 | (2) the individual whose voice or likeness is at | ||||||
18 | issue is necessary for and relevant to the primary | ||||||
19 | expressive purpose of the work in which the use | ||||||
20 | appears; and | ||||||
21 | (3) the use competes with or otherwise adversely | ||||||
22 | affects the value of the work of the owner or licensee | ||||||
23 | of the voice or likeness rights at issue. | ||||||
24 | (e) Limitation. | ||||||
25 | (1) In general. A person or entity who uses an | ||||||
26 | individual's voice or likeness in a manner that violates |
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1 | subsection (c) shall not be liable if the harm caused by | ||||||
2 | such conduct is negligible. | ||||||
3 | (2) Harm. For purposes of this Section, the term | ||||||
4 | "harm" includes: | ||||||
5 | (A) financial or physical injury, or an elevated | ||||||
6 | risk of such injury, to any person whose voice or | ||||||
7 | likeness rights are affected by the conduct at issue; | ||||||
8 | (B) severe emotional distress of any person whose | ||||||
9 | voice or likeness is used without consent; and | ||||||
10 | (C) a likelihood that the use deceives the public, | ||||||
11 | a court, or tribunal. | ||||||
12 | (3) Per se harm. Any digital depiction or digital | ||||||
13 | voice replica which includes child sexual abuse material, | ||||||
14 | is sexually explicit, or includes intimate images | ||||||
15 | constitutes harm. | ||||||
16 | (4) Balance of equities. Except when paragraph (3) | ||||||
17 | applies, alleged harms shall be weighed against: | ||||||
18 | (A) whether the individual whose voice or likeness | ||||||
19 | is at issue is necessary for and relevant to the | ||||||
20 | primary expressive purpose of the work in which the | ||||||
21 | use appears; | ||||||
22 | (B) whether the use is transformative; and | ||||||
23 | (C) whether the use constitutes constitutionally | ||||||
24 | protected commentary on a matter of public concern. | ||||||
25 | (f) Limitations period. No civil action shall be | ||||||
26 | maintained under the provisions of this Act unless it is |
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1 | commenced within four years after the party seeking to bring | ||||||
2 | the claim discovered, or with due diligence should have | ||||||
3 | discovered, the violation. | ||||||
4 | (g) No preemption. Nothing in this Act shall be construed | ||||||
5 | to limit any rights an individual may have under any other law | ||||||
6 | providing protections against the unauthorized use of an | ||||||
7 | individual's name, voice, or likeness. | ||||||
8 | (h) Severability. If any provision of this Act, or the | ||||||
9 | application thereof, is held invalid, the validity of the | ||||||
10 | remainder of this Act and the application of such provision to | ||||||
11 | other persons and circumstances shall not be affected thereby. | ||||||
12 | (i) Construction. Nothing in this Act shall alter the | ||||||
13 | application by a court of First Amendment protections in the | ||||||
14 | event such a defense is asserted to subsection (c). | ||||||
15 | (j) Application. This Section shall be considered to be a | ||||||
16 | law pertaining to intellectual property for the purposes of | ||||||
17 | Section 230(e)(2) of the Communications Act of 1934 (47 U.S.C. | ||||||
18 | 230(e)(2)). | ||||||
19 | Section 4. Operative date. This Act is operative 180 days | ||||||
20 | after it becomes law and applies regardless of whether the | ||||||
21 | individual has died before that date. |